Private school elite still dominates television

Private school elite still dominates television


JG Says
This is priceless and could explain why this dyslexic product of Harpeneden's own secondary modern is grafting away in New Zealand. Would it be too obvious to point out or ask, just how many of these executives are at the Beeb? Know your audience, hey but I'm not a working class chap with a chip on my shoulder. We need well educated leaders with integrity to run our media concerns, other wise we'd have scandals regarding vote and phone rigging oh..... Seriously all the senior executives I met and worked with were of the greatest caliber and I respected them all enormously. The old school is just that, old and very crusty - and soon all the bright young things with no outlet for their creativity will express them selves on the internet, go for it.


From Media Guardian UK

Katie Allen
Thursday March 15, 2007
MediaGuardian.co.uk


School rules: 56 of the top 100 TV executives across main channels went to private school. Photograph: Niki Mareschal/Getty

The majority of senior UK TV jobs are still occupied by a private school elite and potential new starters are discouraged from trying for broadcasting careers by their lack of connections, according to a study out today.
A survey of the top 100 executives in the TV industry across all the main channels showed 56 went to private school, despite the fact such institutions only educate 7% of the population as a whole.

However, the study, commissioned by Television and Young People, the charitable talent arm of the MediaGuardian Edinburgh International Television Festival, did suggest that a new breed of TV industry executives was emerging.

TVYP also surveyed 100 newer entrants to TV, which showed 58% coming from state schools.

Talking to young people who had just got into the TV industry, TVYP found six out of 10 had been concerned they did not have the right contacts, rising to 75% for those from a state school background.

TVYP said such findings reinforced the notion that the current public school dominated industry may be deterring young people from other backgrounds from entering the sector.

"We hope to open up the debate on the importance of creating a diverse, creative TV workforce which reflects and represents the TV audience today," said the TVYP director, Suzy Lambert, adding that her body was working to address young people's concerns with its free training events.

The research echoes a study last year commissioned by TVYP, which found that low starting salaries were a key disincentive for those from low income backgrounds, with the average starting salary in TV just £12,000 per annum.

Last year's survey also revealed that 77% of young people trying to get a foothold in the TV industry had worked without pay for up to three months and 12% had worked for free for over six months.

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My Favorite Quote - UK Independent New Paper

Jonathan Glazier, formerly the editor of BBC Light Entertainment and now the head of production and development for the UK arm of Rupert Murdoch's Fox network, says the growth in American reality shows in the past year has been remarkable. "They're developing a plethora of reality formats, hundreds of them, and sending them around the world."

Glazier has responsibility for introducing Fox products to Europe and alerting his US colleagues to eye-catching British formats. He says there is little difference between contestants being forced to eat horse innards on American programmes and "British" maggots being dropped on to the face of Danniella Westbrook - a stunt that attracted nine million viewers to I'm a Celebrity... Get Me Out of Here!. "There is an intellectual hypocrisy that creeps in," Glazier says. "The thought is quite abhorrent, but people watch it."

So will we see more extreme entertainment here? Glazier says that broadcasters in Britain are well aware of their "duty of care" to viewers. "Are we going to see a Rollerball on the television in five years' time? Are we going to see public executions? The obvious answer to that is `No'," he says. "Please God, let's hope not."

What can I do for you?

I am more than happy to talk to individuals or companies that need need help:

• dealing with the media or press
• creative thinking
• creating TV programmes
• Pitching ideas
• looking for breaks into the industry both infront or behind the camera
• corporate videos
• writing for TV or scripting
• public speaking and presenting.

I can arrange creative seminars for your teams. One on one training in any aspect of television

Employment History

2005 onwards
Head of Non Scripted Entertainment Touchdown Television NZ.

2002 – 04
Head of Production and Development Fox World UK. Essentially Head of Fox TV local production in the UK and working to develop and market global formats.

2000-02
Editor BBC Light Entertainment and International Formats

1999 – 00
BBC Internal Consultant; production modernization.

1999
BBC Series Producer

1995-99
Freelance Director/Producer Granada Television, LWT, BBC.

1994-95
Granada Television, Liverpool Series Director “This Morning” The UK’s premier morning show

1994
Action Time

1991-94
Granada Television, Manchester Senior Entertainment Director

1990
Freelance Director

1989
Central Independent Television, Nottingham
Trainee Director
Director

1982-1989
Central Independent Television, Nottingham
Sound Supervisor
Sound Director

Achievements:

• Rotary Club “Service above Self” award
• Royal Television Society Craft Award for Best Multi Camera Work Gladiators (Director)
• Royal Television Society Production Award for Weakest Link Best Daytime Entertainment (Exec Producer)
• Royal Television Society Production Award for Best Production Team Gladiators (Director)
• Royal Television Society Production Award for Best Production Team This Morning (Series Director)
• Broadcast 2000 Award for Best Entertainment Don’t Try This at Home … (Series Producer/Director)